Posts Tagged ‘White Tutu’

The Romantic Tutu Skirt

Thursday, September 20th, 2012

While ballet tutus can take on many forms, when most people hear the word “tutu” they envision the ethereal Romantic style tutu skirt.  In honor of its timeless beauty, we would like to take a moment and share a little bit about this classic tutu style.

The Romantic Era of Ballet

The Romantic Tutu made its debut during the early to mid-19th century, a time in which “romanticism” in art and literature held great influence over the creation of new ballets. By many historical accounts, the Romantic period is considered to have begun with the 1827 Paris debut of La Sylphide where the Romantic Tutu skirt was first worn by Marie Taglioni.

Marie Taglioni, La Sylphide wearing the first Romantic Tutu

Marie Taglioni, La Sylphide wearing the first Romantic Tutu

Many of these Romantic Ballet stories told tales of conflict between man and nature, society and the supernatural.  This era put the ballerina center stage “floating” on the tip of a toe in the forms of sylphs (La Sylphide), wilis (Giselle), and other ghostly spirits—who enslaved the hearts and senses of mortal men.

Carlotta Grisi, 1841 as Giselle

Carlotta Grisi, 1841 as Giselle

The Romantic Tutu Skirt

Due to this marked supernatural influence, the second act of these Romantic ballets (representing the spirit realm) began to be called the “white act” or “ballet-blanc”.  The corresponding costume was an elegant white skirt made of layers upon layers of tulle (fine netting). This other-worldy white skirt was what we’ve come to know as the Romantic Tutu Skirt.  This ghostly vision was enhanced with new developments in theater effects such as gas lighting (that could be dimmed), posing en pointe, and the use of wires to make dancers “fly”.

What is a Romantic Tutu Skirt?

Romantic Tutus are long, floating and ethereal.  They are usually 3-5 layers of soft tulle.  These soft layers can begin at the waist (Romantic Tutu) or fall from the high hip for a dropped waist look (Romantic Tutu with Basque).

At Class Act Tutu, we LOVE romantic tutu skirts.  From the famous classic white to today’s vivid, colorful layers, we have the skill and ingenuity to create the tutu of your dreams!  We encourage you to put one on and get busy enslaving hearts!

From Vail International Dance Festival, International Festival of Dance II, Giselle, August 4, 2012.

From Vail International Dance Festival, International Festival of Dance II, Giselle, August 4, 2012.

Quick Tip: From the Costume Shop at Pacific Northwest Ballet (PNB)

Wednesday, June 29th, 2011

In 2006, Fleming Halby (then director of Pacific Northwest Ballet’s Seattle school) staged the only surviving scene from August Bournonville’s “Konservatoriet”. Class Act Tutu was honored to provide the white romantic tutu skirts for that performance.

PNB School's "Konservatoriet "  ©Rex Trainter

PNB School's "Konservatoriet " ©Rex Trainter

The staging of this piece has always provided a great inspiration to us in how to create a beautiful classic look reminiscent of the early French ballet.   We were lucky to get to spend some time in the PNB costume shop learning how Victoria McFall created this lovely vision.   Here is what we learned.

What you need:
1. White Leotard
2. White Romantic Style Tutu skirt
3. Satin Ribbon
4. Sheer Fabric for Sleeves
5. Nude Elastic

The Leotard
• Start with a camisole style leotard. Remove the straps and replace them with nude elastic.
• Create a pattern for an off the shoulder sleeve with a gusset. Here are some views of PNB’s sleeve and pattern:

Sleeve with Gusset

Sleeve with Gusset

Sleeve and Pattern

Sleeve and Pattern

PNB Sleeve Pattern

PNB Sleeve Pattern

• Here you can find instructions for making your own pattern for gussets.
• Stitch your sleeve onto the leotard

Sleeve with gusset sewn to leotard

Sleeve with gusset sewn to leotard

The Skirt
• Start with a romantic style tutu skirt. PNB used Class Act Tutu’s Romantic Style 5-Layer skirt in a mid-calf length.
• Edge stitch a nice satin ribbon onto the waistband at the top and the bottom. Victoria used pale blue and white for Konservatoriet.

Satin Waistband & Bow

Satin Waistband & Bow

• Sew down a faux bow if desired.

This idea can be used for many different tutu looks and combining a professional quality tutu skirt with an inexpensive leotard can stretch your costume budget.

{Sightings!} The Resurrection of Giselle…

Wednesday, May 18th, 2011

As we first reported way back in September, Class Act Tutu received the HUGE honor of having our white romantic tutu skirt used in the photo shoot for Pacific Northwest Ballet’s upcoming production of Giselle.

Completely re-staged and based entirely on the original 1841 Stepanov notation, PNB’s Giselle resurrects the long forgotten subtleties and complexities of ballet’s greatest – and most beloved – tragedy.  We cannot wait to see it.

Here are some videos produced by Pacific Northwest Ballet including – what else? – our tutu skirt!  The first is all about the creation of the actual Giselle poster, while the second features actual footage from the photo shoot itself. Enjoy!  (PS: Amanda Clark – you look gorgeous!)

Sightings! Signature Theatre’s “And the Curtain Rises”

Thursday, March 31st, 2011

curtainrises
Take a look at our romantic tutu skirts and “Sweetheart” tutu bodices used  in Signature Theatre’s production of, And the Curtain Rises.

“The world premiere musical comedy And the Curtain Rises loosely re-imagines the theatrical bedlam surrounding the creation of the first American musical.

Set in 1866, this classic backstage tale follows novice producer William Wheatley as he finds his production in shambles: bruised egos, secret plots, romance, some skimpy costumes, an uncompromising author, and a cast on the verge of revolt. All is complicated when a French ballet troupe is forced to seek refuge in his theatre after a fire erupts in an adjacent theatre…” To learn more about the production or for ticket information, please click here.

curtainrisescloseup
{Photos appear courtesy of Signature Theatre; Photography by Scott Suchman}

Sightings: Pacific Northwest Ballet at the Guggenheim / Pointe Magazine

Saturday, December 11th, 2010

Pacific Northwest Ballet dancers wearing our tutus in Pointe Magazine! (see Pointe Magazine, December 2010/January 2011, p 75).

This was part of the “Works & Process” lecture-demonstration at New York’s Guggenheim Museum back in May, 2010.

Pacific Northwest Ballet’s presentation featured performances by company members and the discussion, “Balanchine’s Petipa” led by Doug Fullington. “Balanchine’s Petipa” explored the influence Marius Petipa’s choreography had over George Balanchine, with a special focus on choreography for men.

The Guggenheim museum’s  “Works & Process” series offers audiences the amazing opportunity to get “up close and personal” with some of today’s top creative minds and the world’s most beloved artists.

Did any of you happen to see it?  If so, leave a comment and tell us about it.

Photo:  Sylvia Plachy   Pointe Magazine Dec 2010/Jan 2011

Photo: Sylvia Plachy Pointe Magazine Dec 2010/Jan 2011

Thank you Sylvia Plachy (photographer), Pacific Northwest Ballet and Pointe Magazine for showing our tutus in such a lovely way.

Pacific Northwest Ballet dancers are wearing Class Act Tutu’s 5-Layer Romantic Tutu Skirt (style: 1260-5   color: white)

A Peek Inside: The Rock School’s Nutcracker 1776

Sunday, November 28th, 2010
The Rock School's "Nutcracker 1776"

The Rock School's "Nutcracker 1776" Photo: Tiffany Yoon

The Rock School for Dance Education’s ‘Nutcracker 1776′ provides a delightful patriotic twist to a traditional holiday classic. Nutcracker 1776 “tells the tale of two children entrusted with an enchanted key and Nutcracker that lead them far from their home in colonial Philadelphia.”

Not only were we at Class Act Tutu proud to have created some of the production’s costumes, we were curious about the inspiration behind this beloved production.

We posed our questions to The Rock School’s directors, Bojan and Stephanie Spassoff.

What was the inspiration behind Nutcracker 1776? Why did the school decide to “travel off the beaten path” and branch out like this? (Which by the way, was an awesome idea!)

We wanted to “re-invent” a new Nutcracker.  Distill it and make it Philadelphia-centric.  Ben Franklin is our “Drosselmeyer” figure – a cross between Dumbledore and Drosselmeyer.  Instead of a German Parlor in the opening scene we are in Ye Olde City Tavern Inn, a real Philadelphia tavern  during colonial times where virtually all of the Founding Founders met, discussed and planned the issues of the day.  This seemed to us to make it much more personal for our Philadelphia audience as well as sneaking in some actual history.

How has the community received the production over the years?

This is only our third year of doing this production but the response has been overwhelmingly enthusiastic.   The School’s Rock Reach outreach program has a special dress rehearsal for over 1,800 under served children from schools in Philadelphia, Camden and Chester County.  The children are thrilled to see what may be their first and only Nutcracker.  The response rivals a rock concert!

That’s amazing! So do you offer a more traditional production as well? If so, how do attendance/ticket sales compare between the two?

No, we do not as this production is specifically geared to be more accessible for families with young children and fathers who do not want to sit for two and a half hours.  It is truly still a traditional Nutcracker.  We try to keep it fresh every year by adapting to the students enrolled in The School.

In closing, what advice would you give other dance schools or companies looking to spice things up over the holidays?

Just look at your audience to see what is going to make it more feasible for them to go and enjoy something for the whole family, that is beautiful, elegant, and yet dynamic.  It is also important to review show times, assess when the performances are better attended, and to take into consideration feedback from the audiences.  Incorporating elements of magic, the unexpected and a variety of smaller charming little parts for children in the production is pleasing to both participants and the audience.  Keep the joy in the dancing!

For more information about Nutcracker 1776 or to purchase tickets, please visit their website at TheRockSchool.org.

Class Act Tutu created the V-Neck Tutu Bodices and the Romantic Skirts with Basque (color:  White) for The Rock School’s Snow Scene as well as the “Betsy Ross” Classical Tutu Skirt (color: Royal Basque/Red Skirt   style:  soft classical).

Tutu Ensemble of the Week: Aurora Borealis

Tuesday, November 2nd, 2010

Aurora BorealisGentle and graceful, teasing and elusive, the Aurora Borealis is nature’s most dazzling display of perfection.   The Aurora Borealis  calls out to the explorers, dreamers, and star-gazers each evening, gently drawing them near for her private performance.  As she streaks across the heavens in a powerful fusion of color, wind and light, her admirers are rendered speechless–captivated and awestruck by the beauty which is hers alone.  This is the admiration she longs for; this is what brings her life meaning.

You too can leave your audience speechless with the help of Class Act Tutu’s “Aurora Borealis” innspired tutu ensemble! Choose your style of Tutu Bodice in Soft White paired with a 5-Layer Romantic Tutu skirt featuring cascading layers of snowy white, palest pink and icy blue, our Aurora Borealis ensemble is as stunning as the Northern Lights themselves. We  think this would made a stunning snow scene for your Nutcracker Ballet.

For one week only, you can purchase this celestial charmer at an incredible savings! Click here to order.

Sightings: Pointe Magazine, October/November 2010

Tuesday, October 5th, 2010

In the Costume Shop:  Magic is made behind the scenes.

Thank you so much, Pointe Magazine, for featuring our “Happily Ever After” tutu in your article, In the Costume Shop:  Magic is made behind the scenes.  [ page 38]

"Happily Ever After"

"Happily Ever After"

This Classical Tutu design was created by CJDL Design for Class Act Tutu.  It features a Sweetheart Tutu Bodice style with a fabric upgrade (Gold/Silver Brocade), a Classical Tutu Skirt with Hooping and  Scalloped Edges.  The Embellishment is an amazing array of  hand-made fabric shapes with crystals, beads & painted accents.

This is definitely one of our all-time favorite tutus. Just imagine how this gorgeous “Beauty” would look on stage! Whether you’re dancing Cinderella or Sleeping Beauty–or any other Princess role–no Prince Charming could possibly resist!

With all of its lavish design features and incredible “wow” factor, our Happily Ever After is more than just a costume–it’s a fairytale dream come true!

For information on how to purchase this tutu, please contact us.

Sightings: Behind the Scenes at PNB’s photo shoot for Giselle

Thursday, September 30th, 2010

Photo shoot for Pacific Northwest Ballet’s Giselle

Behind the scenes at PNB's Giselle photo shoot.  Photographer:  Angela Sterling.  Dancer/Model:  Amanda Clark.  Photo ©Phil Thompson.

Behind the scenes at PNB's Giselle photo shoot. Photographer: Angela Sterling. Dancer/Model: Amanda Clark. Photo ©Phil Thompson.

Our timeless white Romantic Tutu skirt was used in this photo shoot done by Angela Sterling for Pacific Northwest Ballet’s production of Giselle.    Pacific Northwest Ballet’s, Giselle runs June 3-12, 2011.

Based entirely on the original material from 1841 coupled with all new staging by artistic director Peter Boal, PNB’s Giselle is being heralded as a major World Premiere event.  Just think–for the first time ever, American audiences will experience this hauntingly beautiful tale in its original splendor! {How fabulous is that?!} Everyone here at Class Act Tutu is really looking forward to it.

While its June Premiere is still several months away, we thought we would treat you with these lovely behind-the-scenes photos for PNB’s Giselle.  Enjoy!

Photographer:  Angela Sterling.  Dancer/Model:  Amanda Clark.  All photos ©Phil Thompson.

Review: Pacific Northwest Ballet’s Coppelia

Monday, June 7th, 2010
Pacific Northwest Ballet's Coppélia  All photos © Angela Sterling

Pacific Northwest Ballet's Coppélia All photos © Angela Sterling

Pacific Northwest Ballet pulled out all the stops with their latest production of George Balanchine’s, Coppelia.  This fantastic production features all new lavishly designed (read: gorgeous!) sets, to die for costumes, and of course the high-caliber artistry that PNB is world-famous for.

Swanilda/Coppélia

Saturday’s matinee featured Lesley Rausch as Swanilda/Coppelia, Jerome Tisserand as Franz, and Olivier Wevers as Dr. Coppelius.  Right off the bat, I have to give serious applause to Rausch for her outstanding interpretation. She not only delighted everyone in the audience with her arrogance and saucy attitude, but she transported us into the heart of her character. Sure, Swanilda isn’t the nicest of young ladies, but her love for Franz is evident, even when faced with the sting of rejection.
 

Franz

Jerome Tisserand’s Franz was perfectly executed. Like Rausch, he had a way drawing me in, making me feel almost as fed up with Swanilda’s antics as he was. His attitude was a perfect blend of inflated ego meets young playboy looking for love.  After discovering that his love interest is only a doll, one would expect Franz to act a bit more sheepish over his foolish behavior. (I mean, seriously!) However, Tisserand remains true to character and Franz casually glosses over that “minor faux pas” with a sudden profession of love for Swanilda, which of course, she accepts.

Dr. Coppelius

 
Olivier Wevers deserved the standing ovation he received for his performance as the highly eccentric, slightly creepy, Dr. Coppelius. How it is Wevers can pull such multi-faceted characters out of his back pocket is beyond me! His Dr. Coppelius was a thrilling “yin and yang”; an absent-minded and lonely old man, whose walking stick doubles as a handy weapon against “the wild hooligans” of the town. But underneath that “grumpy old man” veneer lurks a borderline-fiendish soul.

Honorable Mentions

 
Act three’s splendid cast also deserves special mention. I was most impressed by Carrie Imler’s “Dawn” and Sarah Ricard Orza’s “Prayer”. These dancers gave equally passionate and exquisite performances. Imler was a vision of dazzling sunlight–bright, confident and striking.  Ricard Orza danced “Like a fairy tale princess!” (to quote the little one sitting next to me) with her flowing port de bras and delicate phrasing. The action-packed “Discord and War” featured Batkhurel Bold and Lindsi Dec entering the stage like wild flashes of lightning dressed in silvery armor. As always, the power behind these two striking  dancers takes your breath away. Their amazing turns and leaps were all done whilst holding long spears–none of which whacked anyone else nor made kabobs out of their thighs. (An acrobatic feat of epic proportions, especially when you consider how clumsy the rest of is–read: yours truly!–would be in the same situation.)PNB’s Coppelia is filled with good natured humor, an outstanding cast, and delicious imagery. If you haven’t yet made your way to McCaw Hall to catch the “Happiest Ballet on Earth!”, I would highly suggest that you do so. Like…today!

Coppelia runs from June 3rd-13th. Tickets are available by visiting PNB.org.

 

For those of you unable to attend, please enjoy our gallery of  Pacific Northwest Ballet’s premiere production of Coppélia: Choreography by Alexandra Danilova and George Balanchine © The George Balanchine Trust (after Marius Petipa).

All Photos © Angela Sterling

For more stunning dance photos, visit  Angela Sterling Photography.


By Denise Opper