Posts Tagged ‘Nutcracker’

A Rose…

Tuesday, September 21st, 2010

“A rose…by any other name would smell as sweet.” ~ Quote: William Shakespeare, Romeo & Juliet. For centuries, the rose’s elegant beauty and luscious fragrance have inspired countless visions of amour and romance. It is the symbol of true love and effortless grace, unrivaled in appearance and stature. Indeed, a rose is beauty incarnate.

Class Act Tutu has captured the essence of this beloved blossom in our new ” Rose Splendor” ensemble! This glamorous costume is just what your Nutcracker Ballet’s, Waltz of the Flowers needs to thrill and dazzle your holiday audience.  This collection features a Dusty Rose Tutu Bodice in your choice of style paired with a 5-Layer Romantic Tutu Skirt in 3 shades of pink and a splash of buttery yellow.

As always, with the addition of a new ensemble, there is a discount for the 1st week so order now!

“Arctic Dawn” Tutu Ensemble: PERFECT for your Snow Scene

Monday, September 13th, 2010

I’d like you to pause for a moment…and listen.

Do you hear it? It’s the whisper of winter, quietly waiting in the wings. Ready to make her grand entrance.

Feel her cool, biting breath cascade along your neck and shoulders. Inhale slowly, deeply…allowing the fresh peppermint-laden scent to envelop your lungs. She’s there, waiting to unveil her beauty.

Travel alongside her to a snowy wood, where icicles shimmer–snowflakes dance and twirl–while bathed in cascading moonlight.

Let your eyes drink deeply of the beautiful scene before you. Isn’t it magical? Wonderful? Beyond description?

This is how the thousands of ticket holders across the country view “The Nutcracker”. To them, it’s a wonder–an awesome beauty–to behold. No other ballet is more loved, more cherished, more inspiring than this one!

To help make YOUR Nutcracker production the best one EVER, we’re pulling together our most luscious ensembles and offering them to you at an INCREDIBLE SAVINGS!

First up, we have our gorgeous “Arctic Dawn” ensemble. This icy creation is comprised of shades of aqua and snowy white, enhanced with a hint of pale orchid. This delicate beauty is sure to take your production’s Snowflake variation from “same ol’ routine” to “standing ovation”!

And now for a limited time, you can order Arctic Dawn at an incredible savings!

Don’t wait! Like the elusive Northern Lights, this captivating beauty won’t last long.

Order yours TODAY!

Waltz of the Flowers

Monday, August 23rd, 2010

The Nutcracker Ballet’s Waltz of the Flowers …

Waltz of the Flowers Group 72

Romance. Beauty. Joy. These are just some of the words that come to mind when we think of the Waltz of the Flowers and–more specifically–our color-layered “Flower” tutus!

Why?

Because our designs are plucked directly from the meadows and forest glades of dreams, bursting with color and light. From the Amaryllis to the Zinnia, from the bold to the delicate, Class Act Tutu has collected a stunning bouquet of inspiration that will help you create the most visually captivating Nutcracker ever!

Over the next several weeks, we’ll be sharing some of our favorite floral designs. These choice tutus are sure to whisk your mind off to an enchanted garden where lilacs and roses dance in delight!

But before you take off on a fragrant ”flight of fancy”, we want to hear from you! Tell us which flower(s) have given you inspiration or what flowers you would like to see us “collect”! We may share your ideas in an upcoming post.

Moscow Ballet Commemorates Marius Petipa’s Legacy

Thursday, July 15th, 2010

Marius PetipaJuly 14th, 2010 marked the 100th anniversary of Marius Petipa’s death. Petipa is considered to be ”the father of Russian ballet” and one of the most influential choreographers in history. His most famous works include the beloved Nutcracker, Swan Lake and The Sleeping Beauty. 

“In recognition of Petipa’s vast contributions to Russian ballet and culture, Moscow Ballet is selecting Russian artists who represent the contemporary sensibilities in Russian visual art to create limited edition paintings. These new works will be inspired by three of Petipa’s artistically acclaimed story ballets:  Swan Lake,The Nutcracker, and Sleeping Beauty- all of which Moscow Ballet performs on it’s annual tours of North America.” ~ Quote MoscowBallet.Wordpress.com  You can read more about this amazing tribute here.

How To Make a “Sugarplum” (for your Sugarplum Fairy Tutu)

Sunday, June 13th, 2010
Sugarplum

Sugarplum

These Sugarplums were designed and created by Christine Joly of CJDL Design for this year’s Class Act Tutu Nutcracker Sugarplum Fairy tutu design.   These decorative Sugarplums are made using a combination of heat-formed thermoplastics and glued seed and bugle beads.  They are light, sturdy, can be sewn through and are drop-dead gorgeous!

We are going to tell you step by step how to make these beautiful “Sugarplums” and if you scroll down to the bottom of this post you will find a list of sources for everything that you need for this fun project.

If you are interested in having your Sugarplum tutu embellished by us, you may contact us for a design quote.

What You Will Need

  1. One “Cabochon” (oval with a flat bottom) shape
  2. A stiff cardboard template of your shape
  3. Fosshape
  4. Heat gun, steam iron, steamer, or hair dryer
  5. Craft Glue
  6. Heat Proof Work Surface (foil covered metal pan or tray)
  7. Acrylic Paint(s)

Step 1.  Make your template.

  • Trace your cabochon and add an extra 1/8 inch around the edge.  Cut out.
  • See the middle photo in the trio of pictures below.  NOTE:  The template is just a hole. You can see the tin foil lining the tray underneath.

Step 2.  Cut your Fosshape.

Fosshape is a fun “thermoplastic” cloth.  It feels like felt.  Fosshape starts out flexible and moldable but stiffens when heated.  It can be heated with a steam iron, hot air gun or hair dryer set on high.  This material, once formed, maintains its shape, can be sewn or glued and is wonderful for ornamentation, headpieces, masks, props, etc.  See our “Sources” at the end for more information on this fabric and where to purchase.

  • Cut your Fosshape fabric into pieces large enough to heat set over your mold.  This material can shrink up to 30%, so make sure your pieces are large enough.

Step 3.  Shape and Heat.

  • Working on your heat proof work surface, place a piece of the cut Fosshape over the cabochon.
  • Carefully work your way around the shape holding your heat tool 4 to 5 inches from the surface.
  • When the Fosshape becomes soft and limp, press your cut-out template down and over it. (See far right photo in row below)
  • Fosshape cools very quickly, so you will have to work fast and keep pressure applied over the form.
Cabochon, Template, Pressed Shape

Cabochon, Template, Pressed Shape

Step 4.  Paint Your Shape

  • With acrylic paints, paint the surface and base of your stiffened Fosshape.
Painted Shape

Painted Shape

Step 5.  Glue on Beads

  • Sort your beads into containers.  Christine used lighter shades as a highlight and three “plum” tones for the body.
Sorted Beads

Sorted Beads

  • You will glue your beads onto the form in increments—not all at once.
  • Begin by squeezing a strip of glue along the top of your shape.  With a spoon, pour your beads over the glued area so they cover the glue.  (HINT:  Pour right back into your container so you have less to clean up!)
  • Gently tap down with your finger so that the beads are pushed into the glue.  Have a moist cloth available to wipe your fingers.
  • Let this harden at least ½ hour.  The glue can take up to 3 hours to fully dry.
  • Repeat this with all your shapes then move onto a different area of your form until the entire surface is covered.
  • IMPORTANT: Go back over your plums and gently push the beads into the glue BEFORE the glue has completely dried.
Glueing Beads

Glueing Beads

Step 6.  Finishing

  • Trim your “Sugarplums”, wrap with decorative cording, and stitch onto your project.
Sugarplums Applied to the Tutu

Sugarplums Applied to the Tutu

Sources

Here is what we used and the easiest place to purchase that we could find.  If you have source suggestions, we would love to hear from you.

Large Glass  (Fire Mountain Gems and Beads) or Acrylic (Art Fire ) “Cabochon” shape.

Fosshape – Richard the Thread – Here you will also find additional instructions on using Fosshape.

Aleen’s Tacky Glue & Acrylic Paint can be found easily at most craft stores like JoAnn or Michael’s

Stay tuned!

Next we will learn how to make the leaves.

Sugarplum Parts

Sugarplum Tutu ©CJDL Design for Class Act Tutu

Sugarplum Tutu ©CJDL Design for Class Act Tutu

Sugarplum Ombre Detail

Sugarplum Ombre Detail

Interview: Pacific Northwest Ballet Soloist, Lindsi Dec – Part One

Thursday, December 10th, 2009

Pacific Northwest Ballet (PNB) soloist, Lindsi Dec is not only a gifted dancer but is also one of the lovely Vala Dancewear models!  With her graceful lines, powerful stage presence and classic beauty, Lindsi captivates and dazzles her audience, while her passion, determination, and strong work ethic make her an inspiration to today’s young dancers.
Lindsi recently took some time out of her busy schedule to chat with Class Act Tutu’s Denise Opper both at home in Seattle and in between performances at the Jacob’s Pillow Dance Festival. Her answers will be chronicled in a series of posts here on the Class Act Tutu blog, and will feature some personal “behind the scenes” photos Lindsi graciously agreed to share with our readers.

Pacific Northwest Ballet soloist Lindsi Dec (center) and company members dance the Waltz of the Flowers in PNB's Stowell/Sendak Nutcracker.  Photo ©  Angela Sterling.

Pacific Northwest Ballet soloist Lindsi Dec (center) and company members dance the Waltz of the Flowers in PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling.

About Lindsi Dec

Class Act: Hello, Lindsi. Thank you for taking the time out of your busy schedule to chat with me today.
Lindsi:  Oh, it’s my pleasure!
Class Act: Let’s begin by having you share a little about yourself.
Lindsi: Well, let’s see. I’m 27 years old and I recently married Karel Cruz, a principal PNB dancer. (Her infectious smile was evident through the phone.)
Class Act: Wow, congratulations! So does being married to a fellow dancer make life easier in a sense?
Lindsi: Oh, yes definitely! He understands what my crazy life is like completely. It’s wonderful; I wouldn’t have it any other way.

In The Beginning

Class Act: That’s terrific. So now, let’s discuss your dance background for a moment. What age did you begin your training, what schools did you attend, and was ballet something you always felt drawn to?
Lindsi: Well, my mom enrolled me in dance classes when I was 3 years old—ballet, tap and jazz—I actually hated ballet at first. I was more into tap/jazz at that point.
Class Act: Oh my goodness, really? I never would’ve guessed. So what made you change your mind?

The Inspiration

Lindsi: When I was about 13, my mom took me to the Kennedy Center to see Miami City Ballet perform Rubies and—that was it!  I told my mom I wanted to perform the same role (tall girl).

Pacific Northwest Ballet soloist Lindsi Dec in George Balanchine’s Rubies.  Choreography © The George Balanchine Trust.  Photo © Angela Sterling.

Pacific Northwest Ballet soloist Lindsi Dec in George Balanchine’s Rubies. Choreography © The George Balanchine Trust. Photo © Angela Sterling.

When I was 14, I started focusing on ballet but my private school refused to credit my ballet classes toward the athletic graduation requirement.  So, I had to quit dance for awhile because of that and had to play soccer and attend a self-defense class to complete the requirements over two semesters.  Then later, when I returned to ballet, I felt I had to work harder than all the other girls because I was so far behind, but it was worth it.  I then trained at the Washington School of Ballet, which is where I really began to improve.  I attended 3 summer courses at Houston Ballet on scholarship, then after high school I attended PNB’s summer program.  From there, I was in their PD (Professional Division) for 2 years, and then joined the company as an apprentice in 2001.

….Be sure to check back soon to read the next installment where Lindsi shares a typical “Day in the Life,” as well as the challenges of being a tall dancer!

Sightings: Aspen Santa Fe Ballet

Tuesday, December 8th, 2009

Aspen Santa Fe Ballet’s The Nutcracker

You can spot some tutus from Class Act in the Aspen Santa Fe Ballet’s Nutcracker.

Watch for the Waltz of the Flowers,

Aspen Santa Fe Ballet's Waltz of the Flowers Tutu  Dancer/Model Samantha Klanac

Aspen Santa Fe Ballet's Waltz of the Flowers Tutu Dancer/Model Samantha Klanac Embellisment by Aspen Santa Fe Ballet

The Mirlitons, and the Ballerina Dolls!

Mirliton Rendering for Aspen Santa Fe Ballet Mirliton by CJDL Design

Mirliton Rendering for Aspen Santa Fe Ballet by CJDL Design

Aspen Santa Fe Ballet’s Nutcracker can be seen in

Aspen on December 5 & 6

and in Santa Fe on December 12 and 13.


Review: Pacific Northwest Ballet’s Nutcracker

Tuesday, December 1st, 2009

A Little Bit of Magic

The magic of the holiday season has descended upon McCaw Hall, ushered in on the wings of Pacific Northwest Ballet’s annual treat, The Nutcracker.  The air inside the theater was alive with anticipation, and the excitement emanating from all the hundreds of children present was palpable.

Clara's Christmas Tree - A signature moment of Pacific Northwest Ballet’s Stowell/Sendak Nutcracker occurs when Clara’s Christmas tree grows from 14 to 28 feet.  The majestic tree was constructed by Boeing engineers and weighs 1,000 pounds.

Clara's Christmas Tree - A signature moment of Pacific Northwest Ballet’s Stowell/Sendak Nutcracker occurs when Clara’s Christmas tree grows from 14 to 28 feet. The majestic tree was constructed by Boeing engineers and weighs 1,000 pounds.

The Story and the Set

The ballet is based on the original story written by E.T.A. Hoffman and brought to life by the choreography of former PNB Artistic Director, Kent Stowell.  The sumptuous sets designed by Maurice Sendak (Where the Wild Things Are) play a crucial role in the success of this stellar production.  They not only envelop the stage like a lush, Victorian picture book, but also provide a sense of pure magic.  Everything from the massive growing Christmas tree and the enormous Mouse King that wickedly encircles the stage–to the realistic boat ride along the sea, leaves audiences captivated and riveted to the edge of their seats.

Clara

The role of young Clara was marvelously played by PNB student, Eileen Kelly.  Kelly’s mannerisms and characterization were both impressive and believable.

Carrie Imler , Principal Dancer, PNB, as adult Clara was nothing short of outstanding.  Imler’s Clara provides a stunning portrayal of a maiden whose heart is laced with the charms and emotions of girlhood.  She is her Prince’s devoted equal in terms of bravery, and wants nothing more than to remain locked within the confines of this beautiful dream with him forever.

The Prince

Batkhurel Bold, Principal Dancer, PNB, gave a powerful performance as the dashing Prince.  His movements were breathtaking, his character regal and confident.  Bold not only captivates audiences with his impressive strength, but sweeps them off their feet as Clara’s faithful protector, companion, and hero.  Their gorgeous, sweeping pas de deux conveys all the beauty and promise of young love.

A Cast of Characters

Herr Drosselmeier/Pasha

Jordan Pacitti shines in the dual role of Herr Drosselmeier/Pasha.  As Drosselmeier, Pacitti is teasing yet harmless, a classic example of a man who is “a little boy on the inside.”  He not only revels in his ability to shock and amaze the party guests, but takes the most delight in getting a rise out of young Clara.  Later, however,  as the Pasha, Pacitti transforms from a fiendish eccentric, into a protective father-figure, possessive of both Clara and her affections.

Ballerina Doll

Sarah Ricard Orza gave a lovely performance as the wind-up Ballerina Doll.  Her masterful display breathed new life into this well-loved character, one who is sure to star in many little girls’ dreams.

An Enchanted Land

The Moors, A Chinese Tiger, The Commedia

Act Two whisks Clara and the Prince along to an enchanted land where they are greeted by a lavish display of hospitality, courtesy of the Pasha.  Moors dance about with bright, energetic flair.  A dancing Chinese tiger, charmingly played by Ryan Cardea, received more than a few giggles and squeals of delight.  The Commedia (Liora Reshef, Benjamin Griffiths and Rachel Foster) were reminiscent of a precious music box or toy shoppe window.  Griffiths’ acrobatics and technical prowess were evident both here and during his role as Sword-Dancer Doll in Act One.

The Chinese Tiger

The Chinese Tiger

The Peacock

Lesley Rausch, soloist, PNB mesmerized in her role as the fluttering, sensuous Peacock; a winged beauty transported via gilded cage.  Rausch’s expert characterization was daring, captivating, and hypnotic.

Pacific Northwest Ballet soloist Lesley Rausch as the Peacock in PNB's Stowell/Sendak Nutcracker.  Photo © Angela Sterling

Pacific Northwest Ballet soloist Lesley Rausch as the Peacock in PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling

The Whirling Dervishes

The three whirling Dervishes (Barry Kerollis, James Moore, and Josh Spell) were absolutely thrilling. These fantastic dancers created a spectacular “tour de force” that left every little boy in the audience inspired and awe-struck.

Flora

Lindsi Dec, soloist, PNB,  soared to new heights as the beautiful blossom maiden, Flora.  Dec gave herself completely over to her role, and that coupled with her long, gorgeous lines and jubilant expression, made her performance exhilarating to behold.

Pacific Northwest Ballet soloist Lindsi Dec as Flora in the Waltz of the Flowers from PNB's Stowell/Sendak Nutcracker.  PNB’s acclaimed production of Nutcracker runs November 27 – December 30, 2009 at Seattle Center’s McCaw Hall.  Tickets are available online at www.pnb.org or by calling 206.441.2424. Photo © Angela Sterling

Pacific Northwest Ballet soloist Lindsi Dec as Flora in the Waltz of the Flowers from PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling

Snow, Waltz of the Flowers

PNB’s corps de ballet performed beautifully as a chorus of swirling, icy snowflakes glittering in the moonlight. Their dazzling display literally made a chill run down my spine.  Later during the Waltz of the Flowers, I could almost smell a hint of jasmine and rose being carried along on a soft, spring breeze.

Pacific Northwest Ballet’s, Nutcracker

I was once again impressed with the caliber of dancing and characterization offered by this amazing company, as well as the talent that exuded from its students.  Pacific Northwest Ballet’s Nutcracker is a must-see and should be a part of every family’s holiday tradition.

PNB’s acclaimed production of Nutcracker

runs November 27 – December 30, 2009

at Seattle Center’s McCaw Hall.

Tickets are available online at www.pnb.org or by calling 206.441.2424

Breaking News…

Tuesday, November 10th, 2009

Herr Nutcracker
Pacific Northwest Ballet’s Nutcracker Head (design by Maurice Sendak)

Herr Nutcracker was found at 8 am this morning, disoriented and clinging to life on the floor of a darkened room at an undisclosed location on Mercer Street, weakly muttering “Ich habe dir vertraut elender Verräter”. While being carried into the waiting ambulance he began screaming “Ich schwöre bei Gott Clara, ich werd…e ihm die Hoden abgeschnitten”. He managed to squeek “Ich bin allergisch gegen Nüsse” before he was quickly sedated by emergency personnel, then air lifted to the CJDL Design facility where he was rushed into the emergency room. Unresponsive and in severe critical condition, he is being stabilized in preparation for surgery..

Dr. Drosselmeyer confirmed that Herr Nutcracker has sustained serious injuries. He suffers from a fractured skull and has been scalped. In what seems to be a botched lobotomy, parts of the frontal and parietal lobes are missing. His left ear has been ripped off and the police, as well as the postal service, are on the lookout for a small box with no return address. His lower mandible is severely dislocated and chunks of his beard and mustache have been pulled out. The entire lower portion of his body is missing.
The surgeons will be operating over the next 36 hours but his diagnosis is grim.
We will keep you posted on this troubling situation.

by Christine Joly de Lotbiniere

CJDL Design


Review: The Nutcracker – Mikhail Baryshnikov and Gelsey Kirkland (1977)

Tuesday, October 6th, 2009

Mikhail Baryshnikov debuts his stunning choreographic talent in this classic tale re-born. Hailed as one of the finest Nutcracker productions ever made, Baryshnikov’s “Nutcracker” is captivating, thrilling, and magical, inspiring thousands of would-be dancers for the past three decades.

Baryshnikov’s “Nutcracker” incorporates elements of cinematic artistry that create a lovely, dreamlike atmosphere. These elements are particularly noticeable when the Nutcracker magically transforms into the handsome Prince and during the beautiful Waltz of the Snowflakes.

Amazon.com stock photo

The Nutcracker

The sets are elegantly stylish decorated in softly muted tones. The voice of the Narrator echoes of a time when children sat upon a beloved Grandfather’s knee, listening to his tales of wonder. The all-star cast features members from the famous American Ballet Theatre, including Alexander Minz as Herr Drosselmeyer.

Just three years after his arrival in the US, this exhilarating production secured Baryshnikov’s place within the hearts of the American public. The film’s details ring poetically with the combined professional influences upon his career, both Russian and American.

Mikhail Baryshnikov’s Nutcracker Prince is clearly in a class by itself. Alive with fantastical force, boyish whimsy and displaying superior showmanship, his athleticism and vivid interpretation are unparalleled and will leave audiences cheering for years to come.

Gelsey Kirkland creates a most exquisite Clara. With her lithe form, articulated feet, and doll-like features, Kirkland beautifully captures the very essence of childlike wonder coupled with the blossoming emotions of young womanhood.  Her talent is lauded with praise throughout the dance world, and her name is synonymous with classicalism. Baryshnikov referred to Kirkland as, “The best ballerina of her generation” a compliment that is well-deserved.

This film radiates with all the vibrancy of their legendary partnership. The acclaimed duo creates a powerful masterpiece from the remnants of Nutcrackers past; one that is teaming and pulsating with life.

With its remarkable dancing, impeccable character interpretation and clever cinematography, Mikhail Baryshnikov’s “The Nutcracker” adds bold, rich flavor to a cherished holiday treat.

Buy it Now

Reblog this post [with Zemanta]