Posts Tagged ‘Maurice Sendak’

Interview: Pacific Northwest Ballet Soloist, Lindsi Dec – Part One

Thursday, December 10th, 2009

Pacific Northwest Ballet (PNB) soloist, Lindsi Dec is not only a gifted dancer but is also one of the lovely Vala Dancewear models!  With her graceful lines, powerful stage presence and classic beauty, Lindsi captivates and dazzles her audience, while her passion, determination, and strong work ethic make her an inspiration to today’s young dancers.
Lindsi recently took some time out of her busy schedule to chat with Class Act Tutu’s Denise Opper both at home in Seattle and in between performances at the Jacob’s Pillow Dance Festival. Her answers will be chronicled in a series of posts here on the Class Act Tutu blog, and will feature some personal “behind the scenes” photos Lindsi graciously agreed to share with our readers.

Pacific Northwest Ballet soloist Lindsi Dec (center) and company members dance the Waltz of the Flowers in PNB's Stowell/Sendak Nutcracker.  Photo ©  Angela Sterling.

Pacific Northwest Ballet soloist Lindsi Dec (center) and company members dance the Waltz of the Flowers in PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling.

About Lindsi Dec

Class Act: Hello, Lindsi. Thank you for taking the time out of your busy schedule to chat with me today.
Lindsi:  Oh, it’s my pleasure!
Class Act: Let’s begin by having you share a little about yourself.
Lindsi: Well, let’s see. I’m 27 years old and I recently married Karel Cruz, a principal PNB dancer. (Her infectious smile was evident through the phone.)
Class Act: Wow, congratulations! So does being married to a fellow dancer make life easier in a sense?
Lindsi: Oh, yes definitely! He understands what my crazy life is like completely. It’s wonderful; I wouldn’t have it any other way.

In The Beginning

Class Act: That’s terrific. So now, let’s discuss your dance background for a moment. What age did you begin your training, what schools did you attend, and was ballet something you always felt drawn to?
Lindsi: Well, my mom enrolled me in dance classes when I was 3 years old—ballet, tap and jazz—I actually hated ballet at first. I was more into tap/jazz at that point.
Class Act: Oh my goodness, really? I never would’ve guessed. So what made you change your mind?

The Inspiration

Lindsi: When I was about 13, my mom took me to the Kennedy Center to see Miami City Ballet perform Rubies and—that was it!  I told my mom I wanted to perform the same role (tall girl).

Pacific Northwest Ballet soloist Lindsi Dec in George Balanchine’s Rubies.  Choreography © The George Balanchine Trust.  Photo © Angela Sterling.

Pacific Northwest Ballet soloist Lindsi Dec in George Balanchine’s Rubies. Choreography © The George Balanchine Trust. Photo © Angela Sterling.

When I was 14, I started focusing on ballet but my private school refused to credit my ballet classes toward the athletic graduation requirement.  So, I had to quit dance for awhile because of that and had to play soccer and attend a self-defense class to complete the requirements over two semesters.  Then later, when I returned to ballet, I felt I had to work harder than all the other girls because I was so far behind, but it was worth it.  I then trained at the Washington School of Ballet, which is where I really began to improve.  I attended 3 summer courses at Houston Ballet on scholarship, then after high school I attended PNB’s summer program.  From there, I was in their PD (Professional Division) for 2 years, and then joined the company as an apprentice in 2001.

….Be sure to check back soon to read the next installment where Lindsi shares a typical “Day in the Life,” as well as the challenges of being a tall dancer!

Review: Pacific Northwest Ballet’s Nutcracker

Tuesday, December 1st, 2009

A Little Bit of Magic

The magic of the holiday season has descended upon McCaw Hall, ushered in on the wings of Pacific Northwest Ballet’s annual treat, The Nutcracker.  The air inside the theater was alive with anticipation, and the excitement emanating from all the hundreds of children present was palpable.

Clara's Christmas Tree - A signature moment of Pacific Northwest Ballet’s Stowell/Sendak Nutcracker occurs when Clara’s Christmas tree grows from 14 to 28 feet.  The majestic tree was constructed by Boeing engineers and weighs 1,000 pounds.

Clara's Christmas Tree - A signature moment of Pacific Northwest Ballet’s Stowell/Sendak Nutcracker occurs when Clara’s Christmas tree grows from 14 to 28 feet. The majestic tree was constructed by Boeing engineers and weighs 1,000 pounds.

The Story and the Set

The ballet is based on the original story written by E.T.A. Hoffman and brought to life by the choreography of former PNB Artistic Director, Kent Stowell.  The sumptuous sets designed by Maurice Sendak (Where the Wild Things Are) play a crucial role in the success of this stellar production.  They not only envelop the stage like a lush, Victorian picture book, but also provide a sense of pure magic.  Everything from the massive growing Christmas tree and the enormous Mouse King that wickedly encircles the stage–to the realistic boat ride along the sea, leaves audiences captivated and riveted to the edge of their seats.

Clara

The role of young Clara was marvelously played by PNB student, Eileen Kelly.  Kelly’s mannerisms and characterization were both impressive and believable.

Carrie Imler , Principal Dancer, PNB, as adult Clara was nothing short of outstanding.  Imler’s Clara provides a stunning portrayal of a maiden whose heart is laced with the charms and emotions of girlhood.  She is her Prince’s devoted equal in terms of bravery, and wants nothing more than to remain locked within the confines of this beautiful dream with him forever.

The Prince

Batkhurel Bold, Principal Dancer, PNB, gave a powerful performance as the dashing Prince.  His movements were breathtaking, his character regal and confident.  Bold not only captivates audiences with his impressive strength, but sweeps them off their feet as Clara’s faithful protector, companion, and hero.  Their gorgeous, sweeping pas de deux conveys all the beauty and promise of young love.

A Cast of Characters

Herr Drosselmeier/Pasha

Jordan Pacitti shines in the dual role of Herr Drosselmeier/Pasha.  As Drosselmeier, Pacitti is teasing yet harmless, a classic example of a man who is “a little boy on the inside.”  He not only revels in his ability to shock and amaze the party guests, but takes the most delight in getting a rise out of young Clara.  Later, however,  as the Pasha, Pacitti transforms from a fiendish eccentric, into a protective father-figure, possessive of both Clara and her affections.

Ballerina Doll

Sarah Ricard Orza gave a lovely performance as the wind-up Ballerina Doll.  Her masterful display breathed new life into this well-loved character, one who is sure to star in many little girls’ dreams.

An Enchanted Land

The Moors, A Chinese Tiger, The Commedia

Act Two whisks Clara and the Prince along to an enchanted land where they are greeted by a lavish display of hospitality, courtesy of the Pasha.  Moors dance about with bright, energetic flair.  A dancing Chinese tiger, charmingly played by Ryan Cardea, received more than a few giggles and squeals of delight.  The Commedia (Liora Reshef, Benjamin Griffiths and Rachel Foster) were reminiscent of a precious music box or toy shoppe window.  Griffiths’ acrobatics and technical prowess were evident both here and during his role as Sword-Dancer Doll in Act One.

The Chinese Tiger

The Chinese Tiger

The Peacock

Lesley Rausch, soloist, PNB mesmerized in her role as the fluttering, sensuous Peacock; a winged beauty transported via gilded cage.  Rausch’s expert characterization was daring, captivating, and hypnotic.

Pacific Northwest Ballet soloist Lesley Rausch as the Peacock in PNB's Stowell/Sendak Nutcracker.  Photo © Angela Sterling

Pacific Northwest Ballet soloist Lesley Rausch as the Peacock in PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling

The Whirling Dervishes

The three whirling Dervishes (Barry Kerollis, James Moore, and Josh Spell) were absolutely thrilling. These fantastic dancers created a spectacular “tour de force” that left every little boy in the audience inspired and awe-struck.

Flora

Lindsi Dec, soloist, PNB,  soared to new heights as the beautiful blossom maiden, Flora.  Dec gave herself completely over to her role, and that coupled with her long, gorgeous lines and jubilant expression, made her performance exhilarating to behold.

Pacific Northwest Ballet soloist Lindsi Dec as Flora in the Waltz of the Flowers from PNB's Stowell/Sendak Nutcracker.  PNB’s acclaimed production of Nutcracker runs November 27 – December 30, 2009 at Seattle Center’s McCaw Hall.  Tickets are available online at www.pnb.org or by calling 206.441.2424. Photo © Angela Sterling

Pacific Northwest Ballet soloist Lindsi Dec as Flora in the Waltz of the Flowers from PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling

Snow, Waltz of the Flowers

PNB’s corps de ballet performed beautifully as a chorus of swirling, icy snowflakes glittering in the moonlight. Their dazzling display literally made a chill run down my spine.  Later during the Waltz of the Flowers, I could almost smell a hint of jasmine and rose being carried along on a soft, spring breeze.

Pacific Northwest Ballet’s, Nutcracker

I was once again impressed with the caliber of dancing and characterization offered by this amazing company, as well as the talent that exuded from its students.  Pacific Northwest Ballet’s Nutcracker is a must-see and should be a part of every family’s holiday tradition.

PNB’s acclaimed production of Nutcracker

runs November 27 – December 30, 2009

at Seattle Center’s McCaw Hall.

Tickets are available online at www.pnb.org or by calling 206.441.2424

Breaking News…

Tuesday, November 10th, 2009

Herr Nutcracker
Pacific Northwest Ballet’s Nutcracker Head (design by Maurice Sendak)

Herr Nutcracker was found at 8 am this morning, disoriented and clinging to life on the floor of a darkened room at an undisclosed location on Mercer Street, weakly muttering “Ich habe dir vertraut elender Verräter”. While being carried into the waiting ambulance he began screaming “Ich schwöre bei Gott Clara, ich werd…e ihm die Hoden abgeschnitten”. He managed to squeek “Ich bin allergisch gegen Nüsse” before he was quickly sedated by emergency personnel, then air lifted to the CJDL Design facility where he was rushed into the emergency room. Unresponsive and in severe critical condition, he is being stabilized in preparation for surgery..

Dr. Drosselmeyer confirmed that Herr Nutcracker has sustained serious injuries. He suffers from a fractured skull and has been scalped. In what seems to be a botched lobotomy, parts of the frontal and parietal lobes are missing. His left ear has been ripped off and the police, as well as the postal service, are on the lookout for a small box with no return address. His lower mandible is severely dislocated and chunks of his beard and mustache have been pulled out. The entire lower portion of his body is missing.
The surgeons will be operating over the next 36 hours but his diagnosis is grim.
We will keep you posted on this troubling situation.

by Christine Joly de Lotbiniere

CJDL Design


Review: Nutcracker the Motion Picture (1986)

Tuesday, October 6th, 2009

Never before has there been a Nutcracker like this! By fusing together Maurice Sendak’s stunning and lushly designed sets with Tchaikovsky’s beautiful score, Nutcracker: the Motion Picture expands a traditional holiday classic into a cinematic work of art.

Former PNB artistic director, Kent Stowell skillfully breathes new life into the Nutcracker story through the use of special effects and superb cinematography.  Children and adults alike will gain a new level of understanding and respect for this ballet, thanks to powerful opening scenes featuring Clara’s disturbing dream.

Creative and artistic liberties are beautifully expanded, thanks to a generous dose of “movie magic”. The wind-up doll indeed dances inside her tiny dollhouse. Young Clara is enveloped by a mystical fog and literally walks through the dead, defeated Mouse King’s giant sleeve and exits the other side–transformed into a beautiful Princess. The charming boat ride across the sea is reminiscent of the pages of a cherished childhood picture book.

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Dancers’ facial expressions, which are often missed, are strategically focused on during the film adding to the overall depth and dimension of the story.

Principal dancer, Patricia Barker does an amazing job of bringing Clara’s dream world to life. Her execution of movement exudes with tremendous power, beauty, and sincere artistry. Her expressive features are never showy or lacking in emotion, but rather perfectly suited to the scene at hand.

The mildly jealous relationship between the Nutcracker Prince and Herr Drosselmeyer is played for humor, adding a thread of “comic relief” throughout the film.

Viewers, both young and young-at-heart will enjoy this flawless adaptation again and again. Whether you’re a fan of ballet or not, this production offers something for everyone: drama, romance, scuttling siblings, frighteningly odd dreams, a fierce battle scene, and finally an action-packed ending that will leave you breathless.

Nutcracker: the Motion Picture is a must-see film that should be on everyone’s holiday entertainment list!

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The Book

Sadly, what has been called the finest Nutcracker ever staged, is no longer available on VHS. You can enjoy the story in book form with the stunning photography of Angela Sterling.

On VHS

You may get lucky and locate a used copy of this wonderful tale.

See it!

Or check your local listing for a television showing this holiday season. And, of course, if you are in the Pacific Northwest this holiday season, we encourage you to make Nutcracker with the Pacific Northwest Ballet part of your holiday plans.

Pacific Northwest Ballet Company dancers in Nutcracker. © Angela Sterling

Pacific Northwest Ballet Company dancers in Nutcracker. © Angela Sterling