Posts Tagged ‘Legends’

Bolshoi Mourns the Loss of Semyonova

Wednesday, June 9th, 2010
Marina Semyonova as Diane de Mireille in The Flames of Paris. Photo courtesy Bolshoi Theatre.

Marina Semyonova as Diane de Mireille in The Flames of Paris. Photo courtesy The Bolshoi Theatre.

Marina Semyonova, one of the first great Soviet prima ballerinas who made her debut in the 1920s, has died,” Moscow’s Bolshoi Theatre said on Wednesday. “Semyonova began her career at the Kirov ballet, now the Mariinsky, in Saint Petersburg before moving to the Bolshoi in 1930, where she danced until 1952.”  - AFP (Moscow)

“A graduate of the St. Petersburg Ballet School and a pupil of the world famous ballet teacher Agrippina Vaganova, Marina Semenova was the first Soviet ballerina to have tremendous success on foreign stages in the 1930s. She worked with the Kirov Ballet – now the Mariinsky Theatre – until 1930 when Stalin had her transferred to the Bolshoi Theatre in Moscow.

“She danced all the leading parts in classical ballet repertoire, including Giselle, Aurora in “Sleeping Beauty”, Odette-Odile in “Swan Lake”, Raimonda and many more.” - RT Top Stories. Click here to read more.

Stars of ABT Honor Legendary Alicia Alonso

Friday, June 4th, 2010

 

Alicia_Alonso

Alicia Alonso

“Alicia Alonso {director of Ballet Nacional de Cuba} accepted the sold-out audience’s adoring ovation at the Metropolitan Opera House from a central box seat before Thursday night’s American Ballet Theatre performance. But one sensed that this legendary ballerina, being saluted by the company with an evening to celebrate her 90th birthday, would find her way to center stage, and she did, culminating the boisterous, rousing event….

“Alonso (who actually turns 90 on Dec. 21) was a member of Ballet Theatre (as ABT was initially known) during its earliest years. Plagued by vision problems – over which she repeatedly triumphed — since early in her career, she is now virtually blind. Celebrated for the distinctive stamp she put on the role of Giselle, she also performed in many new ballets during the 1940s….” Read the full article from the Los Angeles Times here.   For added enjoyment, check out the interview with this fascinating ballerina in the New York Times.