Posts Tagged ‘Coppélia tutu’

Coppelia – A Young Girl’s Dream Come True

Thursday, May 31st, 2012
Photo Credit: Denise Opper

Photo Credit: Denise Opper

Back in May 2010, Dean and I took Abby to see PNB’s production of Coppelia. She was so excited that day and took special care to wear her best dress (white, mid-calf length, lots of sequins and a small sparkly tiara in her hair), and kept biting her nails in anticipation.

As we watched the ballet, she would smile, laugh and gasp with delight every few moments. She was in her element! Then as the curtain rose on Act 3 and a beautiful row of girlies dressed in glittering pink and gold tutus appeared, my girl was speechless. Breathless even! ;)

After a moment she leaned over in the dark and whispered with her eyes as big as saucers, “Mommy! How did those girls get to do that?” “They’re from the PNB school, honey.” I whispered back.

Abby continued to watch, spellbound. Then at the end of the performance she asked, “Okay. So, how do I get in the school?” At that time, she was still dancing at her local ballet school, but already things were starting to look sketchy for the new year. I explained how she would have to audition, which she immediately asked, “When can I audition??” I told her we’d talk about it later. (Ahem)

Later during the performance’s Post Show Q&A, Abby walked right up and sat in the front row of chairs. (For the record, I never opt to sit in the front row…) After listening to a few adults ask their questions, she asked Olivier Wevers what he liked about playing the role of Dr. Coppelius (her other favorite part). He was very gracious and said he liked “playing with a character” and that was what made it fun for him. Then she asked the Artistic Director, Peter Boal how old the girls in Act 3 were. His response was, “Levels 3 and 4, maybe some 5’s. So anywhere from about 10 to 13 or 14.” Abby was 10 at the time and so you can imagine how much this pleased her.

As we left McCaw Hall that day, I noticed Abby looked deep in thought. When questioned, she simply said, “I’m thinking about how happy I am that I wore my best dress today.” And why’s that? “So that when I come back and audition for PNB, Mr. Boal will know who I am!” {#itdoesntworkthatway}

Fast forward to September 18th, 2010. She gets in to the school.

She was placed in Level 3 but sadly, Coppelia was not scheduled to be performed again. At least not yet. So Abby continued to work hard and hoped (and prayed a whole lot) that one day soon, Coppelia would be done again and that she’d get a part.

Last summer, it was announced that Coppelia would once again grace the stage during the company’s 2011/12 Season.

There was a lot of speculation as to who would be chosen, how tall or how short you had to be, etc. With every passing rumor, Abby grew more impatient waiting for the Cast letters to go out. Then two friends received a letter. Then three friends. And at long last, so did she….

I’m pleased to announce that Abby received a letter in the mail announcing that she had been chosen to perform in this year’s production of Coppeliain Act 3…wearing the very pink and gold costume that ignited her determination to get into the school two years earlier!

I’m so thankful to God for granting yet another exciting blessing in my daughter’s life. To get the chance to perform in the very same production that catapulted her desire to attend the school into the stratosphere is nothing short of awesome! :)

*Written by Denise Opper; originally published on the author’s blog, Got Chai? *

You can catch Pacific Northwest Ballet’s Coppelia June 1st – 10th. Visit PNB.org for tickets.

Sightings! Olympic Ballet Theatre’s Coppélia “Dawn” Tutu

Saturday, April 16th, 2011

As mentioned in the previous post, Class Act Tutu received the honor of creating 9 tutus for the “Dawn” scene featured in Olympic Ballet Theatre’s production of “Coppélia – The Girl With Enamel Eyes”. And now for your viewing pleasure is the lovely Miss Katie Alice Rookstool, modeling our Classical style tutu for her solo in “Dawn”. Isn’t she gorgeous? :)

{Special thanks to both Katie Alice and her mother, Laura Rookstool for the use of this sneak peek photo!}

Katie Alice Rookstool wearing "Dawn" tutu. Photo courtesy of Laura Rookstool

Review: Pacific Northwest Ballet’s Coppelia

Monday, June 7th, 2010
Pacific Northwest Ballet's Coppélia  All photos © Angela Sterling

Pacific Northwest Ballet's Coppélia All photos © Angela Sterling

Pacific Northwest Ballet pulled out all the stops with their latest production of George Balanchine’s, Coppelia.  This fantastic production features all new lavishly designed (read: gorgeous!) sets, to die for costumes, and of course the high-caliber artistry that PNB is world-famous for.

Swanilda/Coppélia

Saturday’s matinee featured Lesley Rausch as Swanilda/Coppelia, Jerome Tisserand as Franz, and Olivier Wevers as Dr. Coppelius.  Right off the bat, I have to give serious applause to Rausch for her outstanding interpretation. She not only delighted everyone in the audience with her arrogance and saucy attitude, but she transported us into the heart of her character. Sure, Swanilda isn’t the nicest of young ladies, but her love for Franz is evident, even when faced with the sting of rejection.
 

Franz

Jerome Tisserand’s Franz was perfectly executed. Like Rausch, he had a way drawing me in, making me feel almost as fed up with Swanilda’s antics as he was. His attitude was a perfect blend of inflated ego meets young playboy looking for love.  After discovering that his love interest is only a doll, one would expect Franz to act a bit more sheepish over his foolish behavior. (I mean, seriously!) However, Tisserand remains true to character and Franz casually glosses over that “minor faux pas” with a sudden profession of love for Swanilda, which of course, she accepts.

Dr. Coppelius

 
Olivier Wevers deserved the standing ovation he received for his performance as the highly eccentric, slightly creepy, Dr. Coppelius. How it is Wevers can pull such multi-faceted characters out of his back pocket is beyond me! His Dr. Coppelius was a thrilling “yin and yang”; an absent-minded and lonely old man, whose walking stick doubles as a handy weapon against “the wild hooligans” of the town. But underneath that “grumpy old man” veneer lurks a borderline-fiendish soul.

Honorable Mentions

 
Act three’s splendid cast also deserves special mention. I was most impressed by Carrie Imler’s “Dawn” and Sarah Ricard Orza’s “Prayer”. These dancers gave equally passionate and exquisite performances. Imler was a vision of dazzling sunlight–bright, confident and striking.  Ricard Orza danced “Like a fairy tale princess!” (to quote the little one sitting next to me) with her flowing port de bras and delicate phrasing. The action-packed “Discord and War” featured Batkhurel Bold and Lindsi Dec entering the stage like wild flashes of lightning dressed in silvery armor. As always, the power behind these two striking  dancers takes your breath away. Their amazing turns and leaps were all done whilst holding long spears–none of which whacked anyone else nor made kabobs out of their thighs. (An acrobatic feat of epic proportions, especially when you consider how clumsy the rest of is–read: yours truly!–would be in the same situation.)PNB’s Coppelia is filled with good natured humor, an outstanding cast, and delicious imagery. If you haven’t yet made your way to McCaw Hall to catch the “Happiest Ballet on Earth!”, I would highly suggest that you do so. Like…today!

Coppelia runs from June 3rd-13th. Tickets are available by visiting PNB.org.

 

For those of you unable to attend, please enjoy our gallery of  Pacific Northwest Ballet’s premiere production of Coppélia: Choreography by Alexandra Danilova and George Balanchine © The George Balanchine Trust (after Marius Petipa).

All Photos © Angela Sterling

For more stunning dance photos, visit  Angela Sterling Photography.


By Denise Opper