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How To Make a “Sugarplum” (for your Sugarplum Fairy Tutu)

Sunday, June 13th, 2010
Sugarplum

Sugarplum

These Sugarplums were designed and created by Christine Joly of CJDL Design for this year’s Class Act Tutu Nutcracker Sugarplum Fairy tutu design.   These decorative Sugarplums are made using a combination of heat-formed thermoplastics and glued seed and bugle beads.  They are light, sturdy, can be sewn through and are drop-dead gorgeous!

We are going to tell you step by step how to make these beautiful “Sugarplums” and if you scroll down to the bottom of this post you will find a list of sources for everything that you need for this fun project.

If you are interested in having your Sugarplum tutu embellished by us, you may contact us for a design quote.

What You Will Need

  1. One “Cabochon” (oval with a flat bottom) shape
  2. A stiff cardboard template of your shape
  3. Fosshape
  4. Heat gun, steam iron, steamer, or hair dryer
  5. Craft Glue
  6. Heat Proof Work Surface (foil covered metal pan or tray)
  7. Acrylic Paint(s)

Step 1.  Make your template.

  • Trace your cabochon and add an extra 1/8 inch around the edge.  Cut out.
  • See the middle photo in the trio of pictures below.  NOTE:  The template is just a hole. You can see the tin foil lining the tray underneath.

Step 2.  Cut your Fosshape.

Fosshape is a fun “thermoplastic” cloth.  It feels like felt.  Fosshape starts out flexible and moldable but stiffens when heated.  It can be heated with a steam iron, hot air gun or hair dryer set on high.  This material, once formed, maintains its shape, can be sewn or glued and is wonderful for ornamentation, headpieces, masks, props, etc.  See our “Sources” at the end for more information on this fabric and where to purchase.

  • Cut your Fosshape fabric into pieces large enough to heat set over your mold.  This material can shrink up to 30%, so make sure your pieces are large enough.

Step 3.  Shape and Heat.

  • Working on your heat proof work surface, place a piece of the cut Fosshape over the cabochon.
  • Carefully work your way around the shape holding your heat tool 4 to 5 inches from the surface.
  • When the Fosshape becomes soft and limp, press your cut-out template down and over it. (See far right photo in row below)
  • Fosshape cools very quickly, so you will have to work fast and keep pressure applied over the form.
Cabochon, Template, Pressed Shape

Cabochon, Template, Pressed Shape

Step 4.  Paint Your Shape

  • With acrylic paints, paint the surface and base of your stiffened Fosshape.
Painted Shape

Painted Shape

Step 5.  Glue on Beads

  • Sort your beads into containers.  Christine used lighter shades as a highlight and three “plum” tones for the body.
Sorted Beads

Sorted Beads

  • You will glue your beads onto the form in increments—not all at once.
  • Begin by squeezing a strip of glue along the top of your shape.  With a spoon, pour your beads over the glued area so they cover the glue.  (HINT:  Pour right back into your container so you have less to clean up!)
  • Gently tap down with your finger so that the beads are pushed into the glue.  Have a moist cloth available to wipe your fingers.
  • Let this harden at least ½ hour.  The glue can take up to 3 hours to fully dry.
  • Repeat this with all your shapes then move onto a different area of your form until the entire surface is covered.
  • IMPORTANT: Go back over your plums and gently push the beads into the glue BEFORE the glue has completely dried.
Glueing Beads

Glueing Beads

Step 6.  Finishing

  • Trim your “Sugarplums”, wrap with decorative cording, and stitch onto your project.
Sugarplums Applied to the Tutu

Sugarplums Applied to the Tutu

Sources

Here is what we used and the easiest place to purchase that we could find.  If you have source suggestions, we would love to hear from you.

Large Glass  (Fire Mountain Gems and Beads) or Acrylic (Art Fire ) “Cabochon” shape.

Fosshape – Richard the Thread – Here you will also find additional instructions on using Fosshape.

Aleen’s Tacky Glue & Acrylic Paint can be found easily at most craft stores like JoAnn or Michael’s

Stay tuned!

Next we will learn how to make the leaves.

Sugarplum Parts

Sugarplum Tutu ©CJDL Design for Class Act Tutu

Sugarplum Tutu ©CJDL Design for Class Act Tutu

Sugarplum Ombre Detail

Sugarplum Ombre Detail

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Posted in The Nutcracker Ballet, Tips & How To | 2 Comments »

Sightings: Aspen Santa Fe Ballet

Tuesday, December 8th, 2009

Aspen Santa Fe Ballet’s The Nutcracker

You can spot some tutus from Class Act in the Aspen Santa Fe Ballet’s Nutcracker.

Watch for the Waltz of the Flowers,

Aspen Santa Fe Ballet's Waltz of the Flowers Tutu Dancer/Model Samantha Klanac

Aspen Santa Fe Ballet's Waltz of the Flowers Tutu Dancer/Model Samantha Klanac Embellisment by Aspen Santa Fe Ballet

The Mirlitons, and the Ballerina Dolls!

Mirliton Rendering for Aspen Santa Fe Ballet Mirliton by CJDL Design

Mirliton Rendering for Aspen Santa Fe Ballet by CJDL Design

Aspen Santa Fe Ballet’s Nutcracker can be seen in

Aspen on December 5 & 6

and in Santa Fe on December 12 and 13.


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Review: Pacific Northwest Ballet’s Nutcracker

Tuesday, December 1st, 2009

A Little Bit of Magic

The magic of the holiday season has descended upon McCaw Hall, ushered in on the wings of Pacific Northwest Ballet’s annual treat, The Nutcracker.  The air inside the theater was alive with anticipation, and the excitement emanating from all the hundreds of children present was palpable.

Clara's Christmas Tree - A signature moment of Pacific Northwest Ballet’s Stowell/Sendak Nutcracker occurs when Clara’s Christmas tree grows from 14 to 28 feet. The majestic tree was constructed by Boeing engineers and weighs 1,000 pounds.

Clara's Christmas Tree - A signature moment of Pacific Northwest Ballet’s Stowell/Sendak Nutcracker occurs when Clara’s Christmas tree grows from 14 to 28 feet. The majestic tree was constructed by Boeing engineers and weighs 1,000 pounds.

The Story and the Set

The ballet is based on the original story written by E.T.A. Hoffman and brought to life by the choreography of former PNB Artistic Director, Kent Stowell.  The sumptuous sets designed by Maurice Sendak (Where the Wild Things Are) play a crucial role in the success of this stellar production.  They not only envelop the stage like a lush, Victorian picture book, but also provide a sense of pure magic.  Everything from the massive growing Christmas tree and the enormous Mouse King that wickedly encircles the stage–to the realistic boat ride along the sea, leaves audiences captivated and riveted to the edge of their seats.

Clara

The role of young Clara was marvelously played by PNB student, Eileen Kelly.  Kelly’s mannerisms and characterization were both impressive and believable.

Carrie Imler , Principal Dancer, PNB, as adult Clara was nothing short of outstanding.  Imler’s Clara provides a stunning portrayal of a maiden whose heart is laced with the charms and emotions of girlhood.  She is her Prince’s devoted equal in terms of bravery, and wants nothing more than to remain locked within the confines of this beautiful dream with him forever.

The Prince

Batkhurel Bold, Principal Dancer, PNB, gave a powerful performance as the dashing Prince.  His movements were breathtaking, his character regal and confident.  Bold not only captivates audiences with his impressive strength, but sweeps them off their feet as Clara’s faithful protector, companion, and hero.  Their gorgeous, sweeping pas de deux conveys all the beauty and promise of young love.

A Cast of Characters

Herr Drosselmeier/Pasha

Jordan Pacitti shines in the dual role of Herr Drosselmeier/Pasha.  As Drosselmeier, Pacitti is teasing yet harmless, a classic example of a man who is “a little boy on the inside.”  He not only revels in his ability to shock and amaze the party guests, but takes the most delight in getting a rise out of young Clara.  Later, however,  as the Pasha, Pacitti transforms from a fiendish eccentric, into a protective father-figure, possessive of both Clara and her affections.

Ballerina Doll

Sarah Ricard Orza gave a lovely performance as the wind-up Ballerina Doll.  Her masterful display breathed new life into this well-loved character, one who is sure to star in many little girls’ dreams.

An Enchanted Land

The Moors, A Chinese Tiger, The Commedia

Act Two whisks Clara and the Prince along to an enchanted land where they are greeted by a lavish display of hospitality, courtesy of the Pasha.  Moors dance about with bright, energetic flair.  A dancing Chinese tiger, charmingly played by Ryan Cardea, received more than a few giggles and squeals of delight.  The Commedia (Liora Reshef, Benjamin Griffiths and Rachel Foster) were reminiscent of a precious music box or toy shoppe window.  Griffiths’ acrobatics and technical prowess were evident both here and during his role as Sword-Dancer Doll in Act One.

The Chinese Tiger

The Chinese Tiger

The Peacock

Lesley Rausch, soloist, PNB mesmerized in her role as the fluttering, sensuous Peacock; a winged beauty transported via gilded cage.  Rausch’s expert characterization was daring, captivating, and hypnotic.

Pacific Northwest Ballet soloist Lesley Rausch as the Peacock in PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling

Pacific Northwest Ballet soloist Lesley Rausch as the Peacock in PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling

The Whirling Dervishes

The three whirling Dervishes (Barry Kerollis, James Moore, and Josh Spell) were absolutely thrilling. These fantastic dancers created a spectacular “tour de force” that left every little boy in the audience inspired and awe-struck.

Flora

Lindsi Dec, soloist, PNB,  soared to new heights as the beautiful blossom maiden, Flora.  Dec gave herself completely over to her role, and that coupled with her long, gorgeous lines and jubilant expression, made her performance exhilarating to behold.

Pacific Northwest Ballet soloist Lindsi Dec as Flora in the Waltz of the Flowers from PNB's Stowell/Sendak Nutcracker. PNB’s acclaimed production of Nutcracker runs November 27 – December 30, 2009 at Seattle Center’s McCaw Hall. Tickets are available online at www.pnb.org or by calling 206.441.2424. Photo © Angela Sterling

Pacific Northwest Ballet soloist Lindsi Dec as Flora in the Waltz of the Flowers from PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling

Snow, Waltz of the Flowers

PNB’s corps de ballet performed beautifully as a chorus of swirling, icy snowflakes glittering in the moonlight. Their dazzling display literally made a chill run down my spine.  Later during the Waltz of the Flowers, I could almost smell a hint of jasmine and rose being carried along on a soft, spring breeze.

Pacific Northwest Ballet’s, Nutcracker

I was once again impressed with the caliber of dancing and characterization offered by this amazing company, as well as the talent that exuded from its students.  Pacific Northwest Ballet’s Nutcracker is a must-see and should be a part of every family’s holiday tradition.

PNB’s acclaimed production of Nutcracker

runs November 27 – December 30, 2009

at Seattle Center’s McCaw Hall.

Tickets are available online at www.pnb.org or by calling 206.441.2424

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What EXACTLY is a Sugarplum?

Friday, November 13th, 2009

Sugarplum

The Nutcracker’s Sugar Plum Fairy is a well-beloved character. With her beauty and benevolent rule over the fanciful Land of Sweets, her character inspires childhood dreams of spun sugar set among gossamer clouds.
As a young child, I simply envisioned a sugarplum as being a lush, purple plum generously coated in sparkling white sugar.

"The children were nestled all snug in their beds, While visions of sugar-plums danced in their heads."

"The children were nestled all snug in their beds, While visions of sugar-plums danced in their heads."

But what exactly is a sugarplum? Well, that depends who you ask.

  • Sugarplums, as defined by Food Reference.com “…were originally sugar coated coriander, a treat that offered a sweet start and then a spicy burst of flavor.  Later the recipe included small bits of fruit and became the confection we know today.”
  • FoodTimeLine.org’s description agrees, “Sugarplums belong to the comfit family, a confection traditionally composed of tiny sugar-coated seeds.”
  • The dictionary defines a sugarplum as “A small round piece of sugary candy.”
  • The Historical Cookery Page by Sharon Cohen suggests that the holiday confection may have simply been a plum preserved in sugar, “a relatively new idea in 16th Century England.” While other books and websites suggest that a sugarplum doesn’t have to be a plum at all, but rather can be any preserved fruit such as apricots or raisins, coated in chocolate.
  • Last but not least, there is an actual sugar plum which is “one of the few plums with a non-bitter skin.”

Whichever definition you choose to embrace, this simple fact remains: the sugarplum—whether coated in sugar or drenched in chocolate –or perhaps not even a plum at all – is a term that soundly resonates with all the whimsy, warmth, and delight of the holiday season.   To learn more about this classic confection, please visit the embedded links included in this article.

By Denise Opper

Media Relations: Vala Dancewear/Class Act Tutu

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Breaking News…

Tuesday, November 10th, 2009

Herr Nutcracker
Pacific Northwest Ballet’s Nutcracker Head (design by Maurice Sendak)

Herr Nutcracker was found at 8 am this morning, disoriented and clinging to life on the floor of a darkened room at an undisclosed location on Mercer Street, weakly muttering “Ich habe dir vertraut elender Verräter”. While being carried into the waiting ambulance he began screaming “Ich schwöre bei Gott Clara, ich werd…e ihm die Hoden abgeschnitten”. He managed to squeek “Ich bin allergisch gegen Nüsse” before he was quickly sedated by emergency personnel, then air lifted to the CJDL Design facility where he was rushed into the emergency room. Unresponsive and in severe critical condition, he is being stabilized in preparation for surgery..

Dr. Drosselmeyer confirmed that Herr Nutcracker has sustained serious injuries. He suffers from a fractured skull and has been scalped. In what seems to be a botched lobotomy, parts of the frontal and parietal lobes are missing. His left ear has been ripped off and the police, as well as the postal service, are on the lookout for a small box with no return address. His lower mandible is severely dislocated and chunks of his beard and mustache have been pulled out. The entire lower portion of his body is missing.
The surgeons will be operating over the next 36 hours but his diagnosis is grim.
We will keep you posted on this troubling situation.

by Christine Joly de Lotbiniere

CJDL Design


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Review: The Nutcracker – Mikhail Baryshnikov and Gelsey Kirkland (1977)

Tuesday, October 6th, 2009

Mikhail Baryshnikov debuts his stunning choreographic talent in this classic tale re-born. Hailed as one of the finest Nutcracker productions ever made, Baryshnikov’s “Nutcracker” is captivating, thrilling, and magical, inspiring thousands of would-be dancers for the past three decades.

Baryshnikov’s “Nutcracker” incorporates elements of cinematic artistry that create a lovely, dreamlike atmosphere. These elements are particularly noticeable when the Nutcracker magically transforms into the handsome Prince and during the beautiful Waltz of the Snowflakes.

Amazon.com stock photo

The Nutcracker

The sets are elegantly stylish decorated in softly muted tones. The voice of the Narrator echoes of a time when children sat upon a beloved Grandfather’s knee, listening to his tales of wonder. The all-star cast features members from the famous American Ballet Theatre, including Alexander Minz as Herr Drosselmeyer.

Just three years after his arrival in the US, this exhilarating production secured Baryshnikov’s place within the hearts of the American public. The film’s details ring poetically with the combined professional influences upon his career, both Russian and American.

Mikhail Baryshnikov’s Nutcracker Prince is clearly in a class by itself. Alive with fantastical force, boyish whimsy and displaying superior showmanship, his athleticism and vivid interpretation are unparalleled and will leave audiences cheering for years to come.

Gelsey Kirkland creates a most exquisite Clara. With her lithe form, articulated feet, and doll-like features, Kirkland beautifully captures the very essence of childlike wonder coupled with the blossoming emotions of young womanhood.  Her talent is lauded with praise throughout the dance world, and her name is synonymous with classicalism. Baryshnikov referred to Kirkland as, “The best ballerina of her generation” a compliment that is well-deserved.

This film radiates with all the vibrancy of their legendary partnership. The acclaimed duo creates a powerful masterpiece from the remnants of Nutcrackers past; one that is teaming and pulsating with life.

With its remarkable dancing, impeccable character interpretation and clever cinematography, Mikhail Baryshnikov’s “The Nutcracker” adds bold, rich flavor to a cherished holiday treat.

Buy it Now

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Review: Nutcracker the Motion Picture (1986)

Tuesday, October 6th, 2009

Never before has there been a Nutcracker like this! By fusing together Maurice Sendak’s stunning and lushly designed sets with Tchaikovsky’s beautiful score, Nutcracker: the Motion Picture expands a traditional holiday classic into a cinematic work of art.

Former PNB artistic director, Kent Stowell skillfully breathes new life into the Nutcracker story through the use of special effects and superb cinematography.  Children and adults alike will gain a new level of understanding and respect for this ballet, thanks to powerful opening scenes featuring Clara’s disturbing dream.

Creative and artistic liberties are beautifully expanded, thanks to a generous dose of “movie magic”. The wind-up doll indeed dances inside her tiny dollhouse. Young Clara is enveloped by a mystical fog and literally walks through the dead, defeated Mouse King’s giant sleeve and exits the other side–transformed into a beautiful Princess. The charming boat ride across the sea is reminiscent of the pages of a cherished childhood picture book.

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Dancers’ facial expressions, which are often missed, are strategically focused on during the film adding to the overall depth and dimension of the story.

Principal dancer, Patricia Barker does an amazing job of bringing Clara’s dream world to life. Her execution of movement exudes with tremendous power, beauty, and sincere artistry. Her expressive features are never showy or lacking in emotion, but rather perfectly suited to the scene at hand.

The mildly jealous relationship between the Nutcracker Prince and Herr Drosselmeyer is played for humor, adding a thread of “comic relief” throughout the film.

Viewers, both young and young-at-heart will enjoy this flawless adaptation again and again. Whether you’re a fan of ballet or not, this production offers something for everyone: drama, romance, scuttling siblings, frighteningly odd dreams, a fierce battle scene, and finally an action-packed ending that will leave you breathless.

Nutcracker: the Motion Picture is a must-see film that should be on everyone’s holiday entertainment list!

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The Book

Sadly, what has been called the finest Nutcracker ever staged, is no longer available on VHS. You can enjoy the story in book form with the stunning photography of Angela Sterling.

On VHS

You may get lucky and locate a used copy of this wonderful tale.

See it!

Or check your local listing for a television showing this holiday season. And, of course, if you are in the Pacific Northwest this holiday season, we encourage you to make Nutcracker with the Pacific Northwest Ballet part of your holiday plans.

Pacific Northwest Ballet Company dancers in Nutcracker. © Angela Sterling

Pacific Northwest Ballet Company dancers in Nutcracker. © Angela Sterling

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