Archive for December, 2009

Sightings: The 2010 Pasadena Tournament of Roses Parade

Wednesday, December 30th, 2009

See three of our “Circus” Tutus created for the Scripps Miramar Saddlebreds in the 2010 Pasadena Tournament of Roses Parade.

"Circus" Tutu - Scripps Miramar Saddlebreds

"Circus" Tutu - Scripps Miramar Saddlebreds

The Parade airs on ABC, Hallmark Channel, HGTV, KTLA, NBC, RFD-TV, Travel Channel and Univison on January 1.  The annual New Years procession begins at 8am Pacific Time.

Three tutus were created by Class Act Tutu and designed and embellished by Christine Joly of CJDL Designs.  You will also see an amazing Vintage Clown Costume designed by Ms. Joly.

Vintage Clown by CJDL Design

Vintage Clown by CJDL Design

The Scripps Miramar Salddlebreds are #73 in the parade lineup.  Enjoy!

Interview: Pacific Northwest Ballet Soloist, Lindsi Dec – Part Two

Tuesday, December 15th, 2009

In Part One of our interview, Pacific Northwest Ballet soloist Lindsi Dec spoke candidly about her recent marriage and how she began her dance training. Now in Part Two, Lindsi shares what a typical day is like for her, as well as the challenges of being a tall dancer…

Class Act:  Lindsi, the long lines you and your taller peers are able to create are just exquisite!  Would you mind telling us what it’s like to be a tall dancer, and how this fact has enhanced or challenged your career?
Lindsi:   Hmm. That’s a good question. Well, as a taller dancer I’d have to say it’s actually a bit harder to control my extremities than a dancer of average height. It’s a tough process for us (tall dancers) – in my experience anyway – to make it all come together with beautiful lines. My core wasn’t strong enough, I was very weak—I still am in fact, so I have to do a lot of cross training. But it makes us unique and helps us stand out a bit, which is great.

Class Act:  I never looked at it that way before. I often assumed–probably like most people–that being taller was more of an advantage in the dance world than not.  Thank you for being so open about that.  Ok, here’s a question I know our readers are dying to have you answer! What does a typical day look like for you?

Lindsi:   A typical day for me is full of dancing! I wake up at 8am and get ready for the day, including making a lunch full of snacks that will last me until 7pm.  I like to eat a lot during our breaks to allow my body to refuel for the next rehearsal.
I leave the house by 9:15 am and am in the studio by 9:50 am.  It is at this time, I tape my toes and warm-up.  We have class from 10:15- 11:45am.  Class is very important because it prepares and warms up the body for the rest of the rehearsal day.  It is also a great opportunity to improve one’s technique.  We have 20 minutes after class to rest up, snack, and see what pointe shoes are going to work for various rehearsals.  Our normal rehearsal schedule is from 12:05 –3pm with 5 minute breaks each hour.

Lindsi Dec, Soloist, Pacific Northwest Ballet wearing Vala Dancewear's "Bombshell" Leotard

Lindsi Dec, Soloist, Pacific Northwest Ballet, tapes her toes wearing Vala Dancewear's "Bombshell" Leotard

We have lunch off from 3-4 pm.  I normally try to work out at that time because cross training for the body is extremely important.  I do strengthening exercises and weights.  On some days, depending on my rehearsal load, I will also do cardio.  From 4:05-7pm, we have our last three hours of the day.
Each day is different though, we may have 6 hours of rehearsal or one hour.  It depends on the rep we are doing and how much we are dancing.  Then, it’s back home to a nice dinner and relaxing before I go to bed at 10pm. Yes, I know, it’s very early, but my body needs at least ten hours of sleep or else I am not a happy camper the next day!

….Check back soon to read the third installment where Lindsi discusses her partnership with Vala Dancewear, her hobbies, and favorite roles!

by Denise Opper, Media Relations:  Class Act Tutu & Vala Dancewear

Interview: Pacific Northwest Ballet Soloist, Lindsi Dec – Part One

Thursday, December 10th, 2009

Pacific Northwest Ballet (PNB) soloist, Lindsi Dec is not only a gifted dancer but is also one of the lovely Vala Dancewear models!  With her graceful lines, powerful stage presence and classic beauty, Lindsi captivates and dazzles her audience, while her passion, determination, and strong work ethic make her an inspiration to today’s young dancers.
Lindsi recently took some time out of her busy schedule to chat with Class Act Tutu’s Denise Opper both at home in Seattle and in between performances at the Jacob’s Pillow Dance Festival. Her answers will be chronicled in a series of posts here on the Class Act Tutu blog, and will feature some personal “behind the scenes” photos Lindsi graciously agreed to share with our readers.

Pacific Northwest Ballet soloist Lindsi Dec (center) and company members dance the Waltz of the Flowers in PNB's Stowell/Sendak Nutcracker.  Photo ©  Angela Sterling.

Pacific Northwest Ballet soloist Lindsi Dec (center) and company members dance the Waltz of the Flowers in PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling.

About Lindsi Dec

Class Act: Hello, Lindsi. Thank you for taking the time out of your busy schedule to chat with me today.
Lindsi:  Oh, it’s my pleasure!
Class Act: Let’s begin by having you share a little about yourself.
Lindsi: Well, let’s see. I’m 27 years old and I recently married Karel Cruz, a principal PNB dancer. (Her infectious smile was evident through the phone.)
Class Act: Wow, congratulations! So does being married to a fellow dancer make life easier in a sense?
Lindsi: Oh, yes definitely! He understands what my crazy life is like completely. It’s wonderful; I wouldn’t have it any other way.

In The Beginning

Class Act: That’s terrific. So now, let’s discuss your dance background for a moment. What age did you begin your training, what schools did you attend, and was ballet something you always felt drawn to?
Lindsi: Well, my mom enrolled me in dance classes when I was 3 years old—ballet, tap and jazz—I actually hated ballet at first. I was more into tap/jazz at that point.
Class Act: Oh my goodness, really? I never would’ve guessed. So what made you change your mind?

The Inspiration

Lindsi: When I was about 13, my mom took me to the Kennedy Center to see Miami City Ballet perform Rubies and—that was it!  I told my mom I wanted to perform the same role (tall girl).

Pacific Northwest Ballet soloist Lindsi Dec in George Balanchine’s Rubies.  Choreography © The George Balanchine Trust.  Photo © Angela Sterling.

Pacific Northwest Ballet soloist Lindsi Dec in George Balanchine’s Rubies. Choreography © The George Balanchine Trust. Photo © Angela Sterling.

When I was 14, I started focusing on ballet but my private school refused to credit my ballet classes toward the athletic graduation requirement.  So, I had to quit dance for awhile because of that and had to play soccer and attend a self-defense class to complete the requirements over two semesters.  Then later, when I returned to ballet, I felt I had to work harder than all the other girls because I was so far behind, but it was worth it.  I then trained at the Washington School of Ballet, which is where I really began to improve.  I attended 3 summer courses at Houston Ballet on scholarship, then after high school I attended PNB’s summer program.  From there, I was in their PD (Professional Division) for 2 years, and then joined the company as an apprentice in 2001.

….Be sure to check back soon to read the next installment where Lindsi shares a typical “Day in the Life,” as well as the challenges of being a tall dancer!

Sightings: Aspen Santa Fe Ballet

Tuesday, December 8th, 2009

Aspen Santa Fe Ballet’s The Nutcracker

You can spot some tutus from Class Act in the Aspen Santa Fe Ballet’s Nutcracker.

Watch for the Waltz of the Flowers,

Aspen Santa Fe Ballet's Waltz of the Flowers Tutu  Dancer/Model Samantha Klanac

Aspen Santa Fe Ballet's Waltz of the Flowers Tutu Dancer/Model Samantha Klanac Embellisment by Aspen Santa Fe Ballet

The Mirlitons, and the Ballerina Dolls!

Mirliton Rendering for Aspen Santa Fe Ballet Mirliton by CJDL Design

Mirliton Rendering for Aspen Santa Fe Ballet by CJDL Design

Aspen Santa Fe Ballet’s Nutcracker can be seen in

Aspen on December 5 & 6

and in Santa Fe on December 12 and 13.


Sightings: Juicy Couture

Wednesday, December 2nd, 2009

What lovely ballerina is wearing these pointe shoes with a Class Act Tutu?

?

?

It’s a 10 foot tall clown in the Juicy Couture holiday display, “The Juicy’ist Show on Earth!”

Juicy'est Show on Earth!

Juicy'ist Show on Earth!

Juicy'ist Show on Earth!

Juicy'ist Show on Earth!

Last year we created some fun tutu skirts for the grand opening of Juicy Couture’s 5th Avenue store.  We were thrilled when they called on us again to provide tutus for the holiday display in all of the US Juicy Couture stores!  If you want a “Juicy” tutu of your own,  you can find them at Class Act Tutu in our “Fashion Tutu” section.

Review: Pacific Northwest Ballet’s Nutcracker

Tuesday, December 1st, 2009

A Little Bit of Magic

The magic of the holiday season has descended upon McCaw Hall, ushered in on the wings of Pacific Northwest Ballet’s annual treat, The Nutcracker.  The air inside the theater was alive with anticipation, and the excitement emanating from all the hundreds of children present was palpable.

Clara's Christmas Tree - A signature moment of Pacific Northwest Ballet’s Stowell/Sendak Nutcracker occurs when Clara’s Christmas tree grows from 14 to 28 feet.  The majestic tree was constructed by Boeing engineers and weighs 1,000 pounds.

Clara's Christmas Tree - A signature moment of Pacific Northwest Ballet’s Stowell/Sendak Nutcracker occurs when Clara’s Christmas tree grows from 14 to 28 feet. The majestic tree was constructed by Boeing engineers and weighs 1,000 pounds.

The Story and the Set

The ballet is based on the original story written by E.T.A. Hoffman and brought to life by the choreography of former PNB Artistic Director, Kent Stowell.  The sumptuous sets designed by Maurice Sendak (Where the Wild Things Are) play a crucial role in the success of this stellar production.  They not only envelop the stage like a lush, Victorian picture book, but also provide a sense of pure magic.  Everything from the massive growing Christmas tree and the enormous Mouse King that wickedly encircles the stage–to the realistic boat ride along the sea, leaves audiences captivated and riveted to the edge of their seats.

Clara

The role of young Clara was marvelously played by PNB student, Eileen Kelly.  Kelly’s mannerisms and characterization were both impressive and believable.

Carrie Imler , Principal Dancer, PNB, as adult Clara was nothing short of outstanding.  Imler’s Clara provides a stunning portrayal of a maiden whose heart is laced with the charms and emotions of girlhood.  She is her Prince’s devoted equal in terms of bravery, and wants nothing more than to remain locked within the confines of this beautiful dream with him forever.

The Prince

Batkhurel Bold, Principal Dancer, PNB, gave a powerful performance as the dashing Prince.  His movements were breathtaking, his character regal and confident.  Bold not only captivates audiences with his impressive strength, but sweeps them off their feet as Clara’s faithful protector, companion, and hero.  Their gorgeous, sweeping pas de deux conveys all the beauty and promise of young love.

A Cast of Characters

Herr Drosselmeier/Pasha

Jordan Pacitti shines in the dual role of Herr Drosselmeier/Pasha.  As Drosselmeier, Pacitti is teasing yet harmless, a classic example of a man who is “a little boy on the inside.”  He not only revels in his ability to shock and amaze the party guests, but takes the most delight in getting a rise out of young Clara.  Later, however,  as the Pasha, Pacitti transforms from a fiendish eccentric, into a protective father-figure, possessive of both Clara and her affections.

Ballerina Doll

Sarah Ricard Orza gave a lovely performance as the wind-up Ballerina Doll.  Her masterful display breathed new life into this well-loved character, one who is sure to star in many little girls’ dreams.

An Enchanted Land

The Moors, A Chinese Tiger, The Commedia

Act Two whisks Clara and the Prince along to an enchanted land where they are greeted by a lavish display of hospitality, courtesy of the Pasha.  Moors dance about with bright, energetic flair.  A dancing Chinese tiger, charmingly played by Ryan Cardea, received more than a few giggles and squeals of delight.  The Commedia (Liora Reshef, Benjamin Griffiths and Rachel Foster) were reminiscent of a precious music box or toy shoppe window.  Griffiths’ acrobatics and technical prowess were evident both here and during his role as Sword-Dancer Doll in Act One.

The Chinese Tiger

The Chinese Tiger

The Peacock

Lesley Rausch, soloist, PNB mesmerized in her role as the fluttering, sensuous Peacock; a winged beauty transported via gilded cage.  Rausch’s expert characterization was daring, captivating, and hypnotic.

Pacific Northwest Ballet soloist Lesley Rausch as the Peacock in PNB's Stowell/Sendak Nutcracker.  Photo © Angela Sterling

Pacific Northwest Ballet soloist Lesley Rausch as the Peacock in PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling

The Whirling Dervishes

The three whirling Dervishes (Barry Kerollis, James Moore, and Josh Spell) were absolutely thrilling. These fantastic dancers created a spectacular “tour de force” that left every little boy in the audience inspired and awe-struck.

Flora

Lindsi Dec, soloist, PNB,  soared to new heights as the beautiful blossom maiden, Flora.  Dec gave herself completely over to her role, and that coupled with her long, gorgeous lines and jubilant expression, made her performance exhilarating to behold.

Pacific Northwest Ballet soloist Lindsi Dec as Flora in the Waltz of the Flowers from PNB's Stowell/Sendak Nutcracker.  PNB’s acclaimed production of Nutcracker runs November 27 – December 30, 2009 at Seattle Center’s McCaw Hall.  Tickets are available online at www.pnb.org or by calling 206.441.2424. Photo © Angela Sterling

Pacific Northwest Ballet soloist Lindsi Dec as Flora in the Waltz of the Flowers from PNB's Stowell/Sendak Nutcracker. Photo © Angela Sterling

Snow, Waltz of the Flowers

PNB’s corps de ballet performed beautifully as a chorus of swirling, icy snowflakes glittering in the moonlight. Their dazzling display literally made a chill run down my spine.  Later during the Waltz of the Flowers, I could almost smell a hint of jasmine and rose being carried along on a soft, spring breeze.

Pacific Northwest Ballet’s, Nutcracker

I was once again impressed with the caliber of dancing and characterization offered by this amazing company, as well as the talent that exuded from its students.  Pacific Northwest Ballet’s Nutcracker is a must-see and should be a part of every family’s holiday tradition.

PNB’s acclaimed production of Nutcracker

runs November 27 – December 30, 2009

at Seattle Center’s McCaw Hall.

Tickets are available online at www.pnb.org or by calling 206.441.2424